jueves, 28 de marzo de 2019

Today's Highlight at the IYL // Descubrimiento del día en la IYL: KERN








Today’s highlight at the IYL: Kern.  I do not understand a single word, but I do not care: I am fascinated with this Polish Book!


Descubrimiento del día en la IYL: Kern. No entiendo una palabra de polaco, pero no me importa: me tiene fascinado este libro. 

Kern. Wiersze dla dzieci
(Kern. Verses for children)


Kern, Ludwik Jerzy (text)
Various artists (illus.)
Warszawa: Wytwórnia, 2015. – [204] p.
ISBN 978-83-64011-18-4
Poetry  | Anthology
White Ravens issue: 2016
Reading age: 5+

After “Tuwim” and “Brzechwa”, “Kern” follows as the third volume of a fantastic art project from Wytwórnia Press that gives classics of Polish children’s verse a fresh take, as they are newly interpreted in illustration by well-known artists. In this volume, the texts of Ludwig Jerzy Kern (1920-2010) are newly readable and possess a welcome freshness. This project is also a wonderful demonstration of the diversity and high quality of present-day Polish illustration. The book features widely divergent visual configurations, ranging from awkward and odd collages, to clean-lined computer graphics, to gentle water-colour paintings, to eerie grey pencil drawings. The seven illustrators represented in this book have each illustrated two to six poems. At the start of each chapter one is glad to learn something of their development as artists and their role in Polish children’s literature.


miércoles, 27 de marzo de 2019

Today's Highlight at the International Youth Library: "A Poke in the Eye"












Today’s highlight at the Jugendbibliothek: A Poke in the I, or a enjoyable festival of concrete poems 

Descubrimiento del día en la IYL: A Poke in the Eye, o una alegre fiesta de poesía visual

Janeczko, Paul B. (select.)
Raschka, Chris (illus.)

A poke in the i : [a collection of concrete poems]

Cambridge, Mass. : Candlewick Press, 2001. - 35 p
ISBN 0-7636-0661-8
Poetry

This hilarious anthology presents a selection of concrete poems from the last four decades ranging from simple to complex ones, from a single word to longer texts, from nonsensical lines to serious and thought-provoking poetry. The poems are arranged on a new page each and are perfectly complemented by Chris Raschka's stunning illustrations. His vivid collages of rich watercolours, ink, and patterned paper torn into different shapes, lend freshness to the poems, often adding new meanings to them or giving them an unexpected twist. Pictures and poems alike will inspire young (as well as older) readers to play with the language and let their imagination lead them to new horizons. (8+) 

(review from the White Ravens catalogue, 2003) 

martes, 26 de marzo de 2019

Today's highlight at the IYL / Descubrimiento de hoy en la IYL: Au pied de mon arbre








Today’s highlight at the Jugendbibliothek: a delicate collection of vignettes on trees (and our links to them) where texts and images come together to create a delicious mixture of poetry and miniature stories 

Descubrimiento del día en la IYL: una delicada colección de estampas acerca de los árboles (y nuestros vínculos con ellos) en la que textos e imágenes se combinan para crear una deliciosa combinación de poesía e historias en miniatura.

Battut, Éric (text/illus.) 
Au pied de mon arbre (At the foot of my tree) 
Toulouse: Milan, 1999. [28pp] 
ISBN 2-84113-841-0 
Tree - Life 

Over the course of many years a tree changes its face. For each season there are different games and festivities, rural scenes and moments of happiness in the lives of the people who visit it - whether for May Day dancing, a romantic tryst in the shade, or apple harvesting. As a motto for each scene on the full-paged, naïve-style tree pictures there is a line of poetry, accompanied by a small detail sketch. When leafing through all the pictures, certain parallels become meaningful - as time elapses for the tree over the course of a year, so it elapses in the life of a person. The poetic charm of this book will enchant both children and adults. (6+)

(Review from the White Ravens catalogue, 2000).  

lunes, 25 de marzo de 2019

Today's highlight at the IYL / Descubrimiento del día en la IYL: Quem faz o qué?






Today’s highlight at the International Youth Library: a truly lyrical picturebook for first readers. Very subtle and enlightening but yet totally understandable by children. A real jewel 


Descubrimiento del día en la Biblioteca de la Juventud de Múnich: un álbum realmente lírico para primeros lectores. Muy sutil e iluminador y aun así perfectamente apto para niños. Una joya.



Aleixo, Ricardo (text) 

Miranda, Regina (illus.) 
Quem faz o quê? (Who does what?) 
Belo Horizonte: Formato, 1999. [28pp] 
ISBN 85-7208-240-9 
Whole-to-part 

In this poem Ricardo Aleixo unites a verb with a noun in each verse: »To look, that is with cats« or »To blow, that is with the wind,« etc. These minimalist sentences and the free play of associations are congenially extended in Regina Miranda's illustrations. Joined together merely through the consist glowing red background, these sparse pictures each show only a part of the whole. Eyes stand for the cats and signal seeing. A leaf stands for the autumn wind and signals blowing. This book is fascinating in its radical simplicity. By this limitation to only a few concepts and visual details, it invites the reader-viewers to exercise their imagination and mental facilities. (3+)


(Review from the White Ravens catalogue, 2000).  




lunes, 21 de enero de 2019

Los márgenes de la periferia: XII Congreso ANILIJ

      
      
La Asociación Nacional en Investigación de Literatura Infantil y Juvenil (ANILIJ) y los profesores del área de Didáctica de la Lengua y la Literatura del Departamento de Filología Hispánica (UCLM) se complacen en invitarles a participar en una nueva edición de su congreso internacional, que en esta ocasión estará dedicado a los géneros minoritarios de la LIJ y lleva por título Los márgenes de la periferia: crear, editar, investigar y traducir poesía y teatro para niños y jóvenes.
Las actividades del congreso se desarrollarán de forma prioritaria en el complejo San Pedro Mártir-Madre de Dios (Cobertizo de San Pedro Mártir s/n, Toledo). El programa del evento prevé tres ponencias plenarias, una mesa redonda con autores de poesía y teatro infantil, un recital poético y otras actividades de carácter cultural (presentación de publicaciones, talleres, ruta literaria por la ciudad, cena de gala, etc.). Los detalles concretos y la información actualizada se irán publicando en este blog a medida que se acerque la fecha del evento.

Call for papers: JLE: special issue: Children's Poetry and Literary Education


Journal of Literary Education is a refereed, peer reviewed, electronic journal for those interested in the study and development of Literary Education. Its readership comprises practitioners, teacher educators, librarians, researchers and both undergraduate and graduate students. Journal of Literary Education offers educators a forum for debate about this discipline from a broad perspective. General issues and special issues are published.
Call for Papers
2nd Issue: Children’s Poetry in Literary Education 

Very often poetry has been defined as a particular kind of language that does innovative things with words, sound, rhythm and patterns, features that can be a constant source of pleasure but also (and especially for the teachers) of despair. In its strong association with language-play and music, poetry could be found and thoroughly enjoyed in many different forms and manifestations not only in school environments, but also and even more importantly, outside the classroom sphere and beyond the teacher’s influence.
Therefore, it is commonly accepted that poetry can be traced in almost any social environment in human life: a chameleon-like notion that can take many disguises. It appears in all kinds of printed pages and digital media, on the screen and in the street, it takes the form of a song, and so on. It is infused in chants, riddles and lullabies and it can also be transformed into a complex context when it appears concretely combined with pictures.
Children’s poetry, more specifically, has been recently defined as a multimodal art which is “shaped by the dynamics of orality and textuality and by the interplay between them” (2017: 231). Albeit traditionally viewed as a stagnant and conservative genre, with “strong, resilient lines of continuity that runs across the centuries” (Styles, 2012: XIII), it has also become in the last years an innovative genre thanks mainly to the work of some independent publishing houses that are not afraid of taking risks and offer the young readers more challenging books. Thus, as many scholars, critics, or educators have strongly, and in many ways, emphasized children have plenty of opportunities to engage in poetic discourse and creative wordplay, even before their first poetry lesson.
Nevertheless, in classrooms poetry is often treated as a duty and not a pleasure activity, or as a problematic area in school, which causes feelings of disquiet and worry. These feelings can deal with several controversial questions, such as the right interpretation of the poem or the right way of teaching it to students. In Michael Benton’s words (1992:83), poetry has had bad luck in Education.
Nonetheless, poetry for children is nowadays stronger, more varied in its appeal, and more thoroughly studied than it has ever been. There are recent studies (for example, Wakely- Mulroney and Joy, 2018) that offer insightful accounts to the nature and the aesthetics of children’s poetry or its didactic potential.
Considering all this, in what ways LE can help teachers to teach poetry with more confidence and students to encounter it as a rewarding experience? Are there new ways of teaching poetry nowadays? What is the influence of images and the digital cultural on poetic education? 
We invite papers related to the overall topic of the issue as described above to be presented. Possible areas for investigation include, but are not restricted to:
- Children’s poetry and Literary Education.
- Children’s poetry and the oral tradition.
- Children’s poetry as a visual art (multimodality, printed poems, concrete poetry, etc.).
- The relationship of form and content in poetry: the poem as a ‘verbal icon’.
- The plurality of poetic form:  haiku, tanka, pantoum, limerick, diamante, clerihew, and so on.
- Theories of literature and poetry teaching: from New Criticism to Reader-response.
- Children’s poetry and the young reader: aspects of reading and responding to poems.
- Children and young adults as poets.
- Poetry canon in classrooms.
- Children’s poetry and illustration.  
- Poetry picture books: a new way of reading and enjoying poetry?  
- Teaching children’s poetry in school: from manuals to informal spaces.
- Young Adult Poetry and the Internet.
- Empirical studies about poetry and children’s poetry.
Submissions are opened all year long for both the Miscellaneous and Monograph section. Papers received before 31th April will be considered for 2019’s issue. Submit your proposals to
 References:
Benton, Michael (1992). Secondary Worlds. Literature Teaching and the Visual Arts. Buckingham-Philadelphia: Open University Press.
Pullinger, Debbie (2017). From Tongue to Text. A New Reading of Children’s Poetry. London and New York: Bloomsbury.
Styles, M. (2012). Introduction: Talking the Long View – the State of Children’s Poetry Today. In M. Styles; L. Joy; D. Whitley. Poetry and Childhood (XI-XVI). Stoke on Trent / Sterling: Trentham Books.
Wakely- Mulroney, Katherine and Joy, Louise (2018).The Aesthetics of Children's Poetry : A Study of Children's Verse in English. Oxon and New York: Routledge.
Juan Senís and Tzina Kalogirou